First published on 25th May, 2014 in The Star.
Review by DAPHNE LEE
BOY, SNOW, BIRD
Author: Helen Oyeyemi
Publisher: Picador
IN Boy, Snow, Bird, Helen Oyeyemi’s fifth novel, nothing is what it seems, hardly anyone is what they appear to be. The whole is misdirection, right from the title, with its three names that reveal and conceal. Boy, Snow, Bird – names that make a show of telling the truth yet hint at mysteries and secrets.
Take Boy – not a boy, but a beautiful girl – an icy beauty, white-blond, black-eyed. With a name like Boy she could only be a character in soap opera or a fairy tale. She is neither. Boy’s life is a nightmare thanks to an abusive and sadistic father who traps rats for a living. The time comes when Boy decides to leave, to avoid death or maiming, and seek her fortune. She ends up in Flax Hill, a small New England town where she meets Arturo Whitmore, a widower with a daughter named Snow.
Lies are at the centre of this story, they are its foundation and its decoration. They drive the plot, and shape the lives of the characters. The story is a broken mirror (mirrors are an important in this book): each piece of glass tells a lie of some sort, and the whole is a distorted image that changes according to your perspective, and depending on the kinds of patterns you see in the cracks. Maybe there are no patterns. Maybe you see rifts, dividing lines that you can fall through, disappear into.
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