Rehana Maryam Noor

RehanaDirector: Abdullah Mohammed Saad

Released in 2021

Dr Rehana Maryam Noor (Azmeri Haque Badhon) is a medical lecturer at a private college in Dhaka, Bangladesh. She is also a widow, the mother of a young child, and the sole breadwinner in her extended family, which includes aged parents and an unemployed brother.

In the opening scenes of the film, we get the idea that Rehana is the one keeping things together at home. We see her stressful and frustrated attempts to juggle a career and motherhood. The dim, blue lighting, the closeups of Rehana’s face, her limp headscarf and drooping shoulders, the stark and sterile settings of featureless offices, classrooms and the corridors are gloomy and uninviting. There is a sense of heaviness, of claustrophobia and pressure, of walls, both literal and metaphorical, closing in on her. There is also the impression of intense but unacknowledged loneliness. Rehana doesn’t seem to have friends. She has no one to confide in, to talk to. Is this by choice or because of circumstances?

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Director: Nik Amir Mustapha

Released in 2023.

Those ciplak headsets! They are supposedly high tech equipment meant to aid in hypnosis, but look like they were purchased at ToysRUs or assembled from old washing machine parts. Perhaps their cheap and flimsy nature is meant to symbolise the fragility of the human body and underline how our physical selves are merely vehicles for the memories and emotions that will survive past the deterioration of flesh, skin and bone? What happens then when even memories fail, as happens in old age, especially to those unfortunate enough to fall victim to dementia?

For Zuhal (woodenly played by Beto Kusyairy), his body and his mind (memories) have betrayed him. And those clunky plastic crowns do nothing to add to the story Imaginur is supposedly telling about this man. They were just a terrible distraction, confirmation of the impression I got that Imaginur is simply a clever idea that the writer (Redza Minhat) and director (Nik Amir Mustapha) did not bother to fully explore because they did not, themselves, fully understand it.Read More »

The Accidental Malay by Karina Robles Bahrin

TAMThere are some Malaysian topics and issues that need to be written about and not just in the form of essays and articles, but as stories that allow for thorough exploration and interrogation as can only be done through fiction. Hanna Alkaf’s The Weight of Our Sky is such a story, as is The Accidental Malay by Karina Robles Bahrin. It’s no accident that both novels centre matters of race that all Malaysians are familiar with, in one way or another. Hanna’s book is set during the infamous May 13 race riots of 1969. Karina’s is about a woman who is raised Chinese but discovers that her mother is Malay.

Race is a hot topic here; never far from the minds of Malaysians; it’s ever present in our day-to-day lives, and it’s also a topic that we are leery of discussing, especially in public, especially in (racially) mixed company. Karina’s novel is not just about (the Malay) race, but about religion, specifically Islam. In Malaysia, the two could be said to be one and the same as there is no separating being Malay from being Muslim. We’ve all heard of people referred to as having ‘masuk Melayu’ when in fact they have ‘masuk Islam’, i.e., converted. This is because there is no such thing, in Malaysia, as a Malay who is not Muslim. Therefore, you might as well have converted to being Malay if you embrace Islam as your religion. Furthermore, when a non-Muslim converts it is usually because of marriage to a Malay. So, when my children’s Malay classmates ask them what race they are and then add, ‘Kristian?’ their confusion is understandable since, in their own lives, there is no division between the two.Read More »

Moms by Ma Yeong-shin

MomsToday I needed to write a paragraph on a book I’d recently read and it reminded me how long it’s been since I last updated this blog.

I thought I would use what I wrote here. I’ve bought many graphic novels in the last year, and been gifted a few. Moms by Ma Yeong-shin is one of them, and one of the few I’ve managed to get around to reading. 

Everyone who knows me well knows that I watch Korean dramas and listen to Korean pop music. I also like Korean films, not so much the commercial blockbusters, but the low-budget indie type by directors like Hong Sang-soo.

I’ve also been exploring Korean graphic novels. Hong Yeon-sik’s Uncomfortably Happily and Umma’s Table are two that have the feel of the K-dramas that I like best, the ones that aren’t about beautiful young women falling in love with even more beautiful young men, but about human connections and people trying live their best lives. Ma Yeong-shin’s Moms, on the other hand, is like a gritty, rather grim Hong Sang-soo film.Read More »

Translating Temple Alley Summer

avery jpg

In January this year, I shared my thoughts about the English translation of Temple Alley Summer by Kashiwaba Sachiko, and I am now happy to post a Q&A with the translator Avery Fischer Udagawa.

Avery is an American but lives near Bangkok with her family. Her husband, who is Japanese, teaches music. They have two daughters.

Avery grew up in Kansas and studied English and Asian Studies at St. Olaf College in Minnesota. She was then at Nanzan University, Nagoya, on a Fulbright Fellowship, and the Inter-University Center for Japanese Language Studies, Yokohama . While living in Thailand, she read for and was awarded an MA in Advanced Japanese Studies from the University of Sheffield.Read More »

The Great Passage by Miura Shion

TGPI first read Miura Shion’s The Great Passage ((舟を編む, Fune wo Amu) back in 2020, right after I watched the film version, but reading it meant I skipped a lot of it. Unfortunately, this is what I tend to do when I read a book for the first time. It takes me several reads before a book is truly read. So, if I read a book just once there’ll be a lot of it that I’ll miss. Anyway, I recently decided to listen to the audiobook on Scribd. Audiobooks force me to pay attention to every word although I sometimes zone out. When this happens I usually rewind the narration. Somehow, I am more likely to do this than reread a paragraph.

Audiobooks aren’t always the answer if the narrator decides to put on hammy accents or simply if their voice grates on my nerves. Thankfully, Brian Nishii, the narrator of The Great Passage audiobook (published by Brilliance Audio), is close to perfect. His surname suggests he’s Japanese and so his pronunciations of the characters’ and other proper names, and also Japanese phrases, doesn’t sound awkward or forced. Plus, he has a pleasant, likeable voice.

jff-great-passage-twitch-thumb-630xauto-43969The story is about a group of lexicographers at a publishing house, called Gembu, and their latest project, ‘The Great Passage’. At the start of the book, the editor, Akari Kohei announces that he has to leave to care for his sick wife. The director of the department, Professor Matsumoto, says that he will never find another editor as good and devoted to dictionary making as Akari is. This makes Akari determined to find a replacement before he leaves. It seems like an impossible task given that you come to realise that it would take as it becomes evident that it takes a rare type of person to live up to Akari and Professor Matsumoto’s exacting standards. To add to the challenge, Akari has to make his selection from the existing employees of the publishing house: Although a large company, most of the staff view making dictionaries as boring and a waste of time.Read More »

Temple Alley Summer by Kashiwaba Sachiko

Temple+Alley+Summer,+by+Sachiko+Kashiwaba+-+9781632063038I am back, with my thoughts on Temple Alley Summer by Kashiwaba Sachiko! The book is translated by Avery Fischer Udagawa, with illustrations by Satake Miho, and published by Yonder, an imprint of Restless Books.

I found it an easy read and the premise was interesting and even thrilling, especially in the early chapters, before the narrator (and readers) know what exactly is going on.

Kazu sees a girl leaving his family’s home early one morning. She is wearing a white kimono, much like how his late grandfather was dressed for his burial! Kazu is convinced he’s seen a ghost and even more so when he has to research old place names at school and learns that his own street was once called Kimyō Temple Alley — Kimyō meaning ‘return to life’.Read More »

Witch Week 2021

I haven’t updated in ages (feels like it), but here’s a quick post to say that Witch Week is around the corner and you can get all the details at Lizzie Ross’s blog!

I think I’ve said before that I don’t celebrate Halloween, but I do pay attention if the festivities are linked to books and writing. Will be joining in the shenanigans and will try to look like the chap in the pic (not easy considering how I’m totally the opposite of bony).

The Girl and the Ghost by Hanna Alkaf

TGATGWhat a gorgeous story. The premise, the telling, the characters: I liked most everything about it. I’d been a little wary because someone had mentioned that it’s about a pelesit who becomes the friend of a little girl. I was wary because pelesit are Malay familiar spirits that are used by their owners to possess victims and I didn’t particularly like the idea of such a creature being turned into a cute Disney-type character. However, my fears were pretty much unfounded. The friendship between the pelesit and the girl is framed in such a way that makes it plausible, natural and even necessary. Also, the spirit itself declares that it is ‘not a character from some childhood tale’, a meta moment that I hugely appreciated. TGATG is a childhood tale, but of course it’s not that kind of childhood tale, the sort that sanitizes the heck out of our stories, wringing out all but their most attractively exotic commercially viable cultural details.Read More »

She Who Became the Sun by Shelley Parker-Chan

sunPeasant boy Zhu Chongba is promised greatness by a fortune teller, while his sister (unnamed throughout the book) is declared ‘nothing’. But when Chongba dies, that sister (already shown to be the more shrewd and competent of the two siblings) decides to take on his identity and claim the greatness that Zhu Chongba’s destiny. To escape starving in the famine that grips the land, the girl goes to Wuhuang Monastery, which her brother was dedicated to as an ailing infant, and by sheer will and persistence, is enrolled as a novice monk. Thus begins her life as Zhu Chongba and despite setbacks and hardships, she does succeed, first at the monastery where her potential is recognised by the abbot, and then as one of the leaders of the Red Turban rebels and so on to the ultimate triumph: the dragon throne.

No spoilers — this novel, Shelley Parker-Chan’s debut, is the first book of a trilogy about the rise of the first Ming emperor. We come to the book knowing that the main character (Zhu) will achieve her goal. How she goes about it and whether she becomes great simply because she has tricked Heaven into thinking that she’s ‘Zhu Chongba’ or because it is her destiny (despite her gender) to be great are questions that fixed my attention and held the story in my mind when I was not in the middle of it (I listened to the audio recording) and even after I completed it.

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