First published on 14th July, 2013 in The Star

I THINK it’s come to the point where 3D versions of movies are being produced just because. It’s like a matter of course, just like filming in colour. I don’t get it though. I mean, 3D effects are not necessary for all movies. I can understand why a superhero/action film might benefit from being 3D (Spider-Man leaping into your lap is, I believe, the sole content of some people’s sexual fantasies), but The Great Gatsby? Really? I fail to see the point, and I don’t intend to find out whether there’s one. (I wait, with dread, for a 3D Casablanca.)
Anyway, what I think about 3D movies is what I’ve recently started to think about pop-up books … which are, really, 3D books, or books with 3D illustrations. Suddenly, it’s like every title needs to pop, and, because of the very nature of pop-up books (their production is time-consuming and labour-intensive), the pop-ups are the main event, not the story – at least not when classics are turned into paper art. There’s no way the unabridged The Wizard of Oz could be made into a pop-up book (imagine the price tag!). Instead, massively abridged versions of these books are produced. Sometimes, only key scenes make it into the book as is the case with Robert Sabuda’s The Chronicles of Narnia. Continue reading
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